Instruments
Ensembles
Opera
Composers
Performers

Sheet music $11.95

Original

Piano Concerto No. 1, S. 124. Franz Liszt. Percussion sheet music. Piano sheet music. Timpani sheet music.

Translation

Piano Concerto No. 1, S. 124. Franz Liszt. Percussion sheet music. Piano sheet music. Timpani sheet music.

Original

Piano Concerto No. 1, S. 124 composed by Franz Liszt. 1811-1886. Edited by Bernhard Stavenhagen. For Piano, Orchestra -. 21, 2, 2, 2 - 2, 2, 3, 1. , timpani, percussion, strings. This edition. Paperback. Original Works. Romantic Period. Hungarian. Study Score. 60 pages. Published by Serenissima. SA.40048. ISBN 9781608740048. Romantic Period. Hungarian. 8.25 x 11 inches. Liszt started working on his first foray into the concerto genre as early as 1830, only completing the work in its present form in 1849. He appeared as soloist in the premiere, given at Weimar on Febrary 17, 1855, with the Staatskappelle under the direction of Hector Berlioz. The concerto has been a staple of the repertoire ever since. Just in time for the Liszt bicentennial, this new score is a digitally-enhanced reprint of the one first issued by Breitkopf und Hartel in 1914 as part of the composer's complete works.

Translation

Piano Concerto No. 1, S. 124 composed by Franz Liszt. 1811-1886. Edited by Bernhard Stavenhagen. For Piano, Orchestra -. 21, 2, 2, 2 - 2, 2, 3, 1. , Timpani, percussion, strings. This edition. Paperback. Original Works. Romantic Period. Hungarian. Study Score. 60 pages. Published by Serenissima. SA.40048. ISBN 9781608740048. Romantic Period. Hungarian. 8.25 x 11 inches. Liszt started working on his first foray into the concerto genre as early as 1830, only completing the work in its present form in 1849. He appeared as soloist in the premiere, given at Weimar on Febrary 17, 1855, with the Staatskappelle under the direction of Hector Berlioz. The concerto has been a staple of the repertoire ever since. Just in time for the Liszt bicentennial, this new score is a digitally-enhanced reprint of the one first issued by Breitkopf und Hartel in 1914 as part of the composer's complete works.