Sheet music $15.00

Original

Quis dabit mihi. transposed for SSA. Barbara Strozzi. Choir sheet music. Harpsichord sheet music. Soprano Voice sheet music. Voice Solo sheet music. Organ Accompaniment sheet music. Intermediate.

Translation

Quis dabit mihi. transposed for SSA. Barbara Strozzi. Choir sheet music. Harpsichord sheet music. Soprano Voice sheet music. Voice Solo sheet music. Organ Accompaniment sheet music. Intermediate.

Original

Quis dabit mihi. transposed for SSA. composed by Barbara Strozzi. 1619-1677. Edited by Susan Mardinly. For SSA choir with soprano voice solo and continuo. Continuo instruments. organ or harpsichord, with cello or gamba. Early Baroque, Sacred. Moderate. can be performed by high school students. Score and continuo. cello or gamba. partbook. Language. Latin. Published by ClarNan Editions. C1.CN51B. With Language. Latin. Early Baroque, Sacred. Form. Baroque motet, with continuo. Included in the publication Sacra Corona, Motetti a due e tre voci di diversi eccelentissimi Autore moderni edited by Bartolomeo Marcesso,. Venice, 1656. Music Division, Library of Congress, Washington D.C. Preface includes. Cultural Milieu, Barbara Strozzi's Sacred Corpus, Performance Practice, Editorial Methods, Text and Translation. Realization. the continuo part is realized as a basic framework, accessible to the nonprofessional keyboard player, may serve as a guide for more professional continuo player.

Translation

Quis dabit mihi. transposed for SSA. composed by Barbara Strozzi. 1619-1677. Edited by Susan Mardinly. For SSA choir with soprano voice solo and continuo. Continuo instruments. organ or harpsichord, with cello or gamba. Early Baroque, Sacred. Moderate. can be performed by high school students. Score and continuo. cello or gamba. partbook. Language. Latin. Published by ClarNan Editions. C1.CN51B. With Language. Latin. Early Baroque, Sacred. Form. Baroque motet, with continuo. Included in the publication Sacra Corona, two-and three-voice motets of different eccelentissimi Author modern edited by Bartholomew Marcesso,. Venice, 1656. Music Division, Library of Congress, Washington D.C. Preface includes. Cultural Milieu, Barbara Strozzi's Sacred Corpus, Performance Practice, Editorial Methods, Text and Translation. Realization. the continuo part is realized as a basic framework, accessible to the nonprofessional keyboard player, may serve as a guide for more professional continuo player.