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Sheet music $21.95

Original

Variations about "Morgenglanz der Ewigkeit" op. 66. Johanna Senfter. Organ Solo sheet music.

Translation

Variations about "Morgenglanz der Ewigkeit" op. 66. Johanna Senfter. Organ Solo sheet music.

Original

Variations about "Morgenglanz der Ewigkeit" op. 66. uber den Choral "Morgenglanz der Ewigkeit". Composed by Johanna Senfter. 1879-1961. Edited by Johannes Geffert. For organ. This edition. ED 20264. Saddle-stitch. First Edition. Organ Music. Grade 3-4. 32 pages. Duration 14 minutes. Published by Schott Music. SD.49017070. ISBN 9790001149433. The overall oeuvre of Johanna Senfter only includes three free organ works. 'Fantasie und Fuge' Op. 30a. in. Female Composers, ED 9741. , the present variations 'Morgenglanz der Ewigkeit' Op. 66 and an organ piece in D minor without opus number. Together with the three cycles of chorale preludes Op. 30b, Op. 70. Schott ED 9603. and Op. 73, the instrument of the organ occupies a rather small part in her oeuvre. That puts the obvious point of view, namely to see the composer of such a 'choral fantasia' mainly as a student of Reger, into perspective. It is, on the contrary, worth to get to know this major work as a facet of the long life of an artist whose major works still wait to be rediscovered.

Translation

Variations about "Morgenglanz der Ewigkeit" op. 66. about the chorale "morning splendor of eternity". Composed by Johanna Senfter. 1879-1961. Edited by Johannes Geffert. For organ. This edition. ED 20264. Saddle-stitch. First Edition. Organ Music. Grade 3-4. 32 pages. Duration 14 minutes. Published by Schott Music. SD.49017070. ISBN 9790001149433. The overall oeuvre of Johanna Senfter only includes three free organ works. 'Fantasie und Fuge' Op. 30a. in. Female Composers, ED 9741. , the present variations 'Morgenglanz der Ewigkeit' Op. 66 and an organ piece in D minor without opus number. Together with the three cycles of chorale preludes Op. 30b, Op. 70. Schott ED 9603. and Op. 73, the instrument of the organ occupies a rather small part in her oeuvre. That puts the obvious point of view, namely to see the composer of such a 'choral fantasia' mainly as a student of Reger, into perspective. It is, on the contrary, worth to get to know this major work as a facet of the long life of an artist whose major works still wait to be rediscovered.