Sheet music $20.00

Original

Concertino No. 2 in B-flat for Trombone and Piano. Ferdinand David. Trombone sheet music. Piano Accompaniment sheet music. Advanced.

Translation

Concertino No. 2 in B-flat for Trombone and Piano. Ferdinand David. Trombone sheet music. Piano Accompaniment sheet music. Advanced.

Original

Concertino No. 2 in B-flat for Trombone and Piano composed by Ferdinand David. Arranged by Jeremy Kemptom. For Trombone and Piano. Romantic German. Advanced. Solo part and piano score. Published by Cherry Classics. CY.CC2507. Concertino No. 2 in B Flat, Opus 12 for Trombone and Piano by Ferdinand David. 1810-1873. The Concertino No. 2 in B Flat was recently discovered while surfing the internet. The version found stated that it was a concertino for viola and piano. However the piano reduction had the solo part written for bassoon. It was followed by a separate solo part for viola. However upon examination this proved to be and orchestral viola part and not a solo part at all. From this one could conclude that there must have been, and perhaps still exists, a score and parts for a full orchestral accompaniment. Although not originally for trombone, this piece lends itself admirably to the lyrical and heroic nature of the trombone. It is challenging but well-suited to the instrument and a quality piece of music. The editor hopes that this piece will find its place as a mainstay in the literature for trombone. Jeremy Niles Kempton, Long Island, NY, March 2012.

Translation

Concertino No. 2 in B-flat for Trombone and Piano composed by Ferdinand David. Arranged by Jeremy Kemptom. For Trombone and Piano. Romantic German. Advanced. Solo part and piano score. Published by Cherry Classics. CY.CC2507. Concertino No. 2 in B Flat, Opus 12 for Trombone and Piano by Ferdinand David. 1810-1873. The Concertino No. 2 in B Flat was recently discovered while surfing the internet. The version found stated that it was a concertino for viola and piano. However the piano reduction had the solo part written for bassoon. It was followed by a separate solo part for viola. However upon examination this proved to be and orchestral viola part and not a solo part at all. From this one could conclude that there must have been, and perhaps still exists, a score and parts for a full orchestral accompaniment. Although not originally for trombone, this piece lends itself admirably to the lyrical and heroic nature of the trombone. It is challenging but well-suited to the instrument and a quality piece of music. The editor hopes that this piece will find its place as a mainstay in the literature for trombone. Jeremy Niles Kempton, Long Island, NY, March 2012.