Instruments
Ensembles
Opera
Composers
Performers

Sheet music $7.95

Original

Sonata Opus 167 - Mvt. 2. Camille Saint-Saens. B-Flat Clarinet sheet music. Clarinet Solo sheet music. Piano Accompaniment sheet music.

Translation

Sonata Opus 167 - Mvt. 2. Camille Saint-Saens. B-Flat Clarinet sheet music. Clarinet Solo sheet music. Piano Accompaniment sheet music.

Original

Sonata Opus 167 - Mvt. 2 composed by Camille Saint-Saens. 1835-1921. Edited by Renaud Escriva. Bb Clarinet Solo and Piano Accompaniment. For Bb Clarinet solo and Piano. The Must-Haves for Clarinet. Classical, Educational. Grade 5. Score and set of parts. 8 pages. score. 3 pages. parts. Published by FLEX Editions. FL.FX071434-2. A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments. oboe, clarinet and bassoon. composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this second movement of the sonata, the articulations should be carefully pronounced to remain clear and intelligible in spite of the tempo. Use a light homogeneous staccato across the whole range and don't force the sound when the dynamics are loud. you will achieve like that an ample sound which is well balanced with the piano. This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

Translation

Sonata Opus 167 - Mvt. 2 composed by Camille Saint-Saens. 1835-1921. Edited by Renaud Escriva. Bb Clarinet Solo and Piano Accompaniment. For Bb Clarinet solo and Piano. The Must-Haves for Clarinet. Classical, Educational. Grade 5. Score and set of parts. 8 pages. score. 3 pages. parts. Published by FLEX Editions. FL.FX071434-2. A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments. oboe, clarinet and bassoon. composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this second movement of the sonata, the articulations should be carefully pronounced to remain clear and intelligible in spite of the tempo. Use a light homogeneous staccato across the whole range and don't force the sound when the dynamics are loud. you will achieve like that an ample sound which is well balanced with the piano. This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.