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Sheet music $9.95

Original

Sonata Opus 167 - Mvt. 4. Camille Saint-Saens. B-Flat Clarinet sheet music. Clarinet Solo sheet music. Piano Accompaniment sheet music.

Translation

Sonata Opus 167 - Mvt. 4. Camille Saint-Saens. B-Flat Clarinet sheet music. Clarinet Solo sheet music. Piano Accompaniment sheet music.

Original

Sonata Opus 167 - Mvt. 4 composed by Camille Saint-Saens. 1835-1921. Edited by Renaud Escriva. Bb Clarinet Solo and Piano Accompaniment. For Bb Clarinet solo and Piano. The Must-Haves for Clarinet. Classical, Educational. Grade 5. Score and set of parts. 12 pages. score. 5 pages. parts. Published by FLEX Editions. FL.FX071434-4. A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments. oboe, clarinet and bassoon. composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. There is a mysterious anguish which floats throughout this brillant fourth movement. The agitation and feverishness of your playing should reflect this latent anguish. At the conclusion, which refers to the first movement, avoid accenting the quaver in the Barcarolle rhythm which risks making the phrasing too heavy. This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

Translation

Sonata Opus 167 - Mvt. 4 composed by Camille Saint-Saens. 1835-1921. Edited by Renaud Escriva. Bb Clarinet Solo and Piano Accompaniment. For Bb Clarinet solo and Piano. The Must-Haves for Clarinet. Classical, Educational. Grade 5. Score and set of parts. 12 pages. score. 5 pages. parts. Published by FLEX Editions. FL.FX071434-4. A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments. oboe, clarinet and bassoon. composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. There is a mysterious anguish which floats throughout this brillant fourth movement. The agitation and feverishness of your playing should reflect this latent anguish. At the conclusion, which refers to the first movement, avoid accenting the quaver in the Barcarolle rhythm which risks making the phrasing too heavy. This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.