Sheet music $245.00

Original

Abu Hassan - Singspiel in one act, WeV C.6a - Vocal Score. Carl Maria von Weber. Voice sheet music. Piano sheet music.

Translation

Abu Hassan - Singspiel in one act, WeV C.6a - Vocal Score. Carl Maria von Weber. Voice sheet music. Piano sheet music.

Original

Abu Hassan - Singspiel in one act, WeV C.6a - Vocal Score. Carl Maria von Weber Complete Edition - Series 8 Volume 2. Composed by Carl Maria von Weber. 1786-1826. Edited by Frank Ziegler, Gerhard Allroggen, and Joachim Veit. For Piano, Voice. Complete Ed. Carl Maria von Weber - Samtliche Werke. Piano reduction. 190 pages. Schott Music #WGA1082. Published by Schott Music. HL.49012383. Even when he was still a young student of composition, Weber considered the preparation of a piano score to be an important task. The high standards he demanded may be one of the reasons why he generally prepared the piano scores of his works himself. In this respect it can be said that Weber played an important part in the development of the “modern” piano score, as his efforts were focused on producing an independent version of the work in a different medium of sound. He also tried to reproduce the impression of writing for a number of interrelated parts, of changing between instruments or creating particular sound effects.

Translation

Abu Hassan - Singspiel in one act, WeV C.6a - Vocal Score. Carl Maria von Weber Complete Edition - Series 8 Volume 2. Composed by Carl Maria von Weber. 1786-1826. Edited by Frank Ziegler, Gerhard Allroggen, and Joachim Veit. For Piano, Voice. Complete Ed. Carl Maria von Weber - SAMTLICHE works. Piano reduction. 190 pages. Schott Music. Published by Schott Music. HL.49012383. Even when he was still a young student of composition, Weber considered the preparation of a piano score to be an important task. The high standards he demanded may be one of the reasons why he generally prepared the piano scores of his works himself. In this respect it can be said that Weber played an important part in the development of the “modern” piano score, as his efforts were focused on producing an independent version of the work in a different medium of sound. He also tried to reproduce the impression of writing for a number of interrelated parts, of changing between instruments or creating particular sound effects.