Sheet music $15.48

Original

Let there be - Partitur. Korpartitur. Choir sheet music. Percussion sheet music. Timpani sheet music.

Translation

Let there be - Partitur. Korpartitur. Choir sheet music. Percussion sheet music. Timpani sheet music.

Original

Let there be - Partitur. Korpartitur. Mixed choir, percussion and timpani. Composed by Fredrik Sixten. For SATB choir divisi, percussion. triangle-suspended cymbals-snare drum-bass-drum-tamtam-4 timpani. Choral score. Language. English. 32 pages. Duration 8 minutes. Published by Gehrmans Musikforlag. GH.GE-11637. ISBN 979-0-070-11637-4. With Language. English. A4 inches. San Francisco Symphony Chorus with conducter Ragnar Bohlin performed the world premier of "Let there be" for choir and percussion on 11th april at Davies Symphony Hall. Joshua Kosman, Chronicle Music Critic, writes in his review at SFGate. Sixten's "Let There Be," an eight-minute plea for universal brotherhood scored for chorus and percussion, opened the concert in a ripe and inviting account. The piece is saddled with a thin, sanctimonious text by poet Maria Kuchen, but Sixten's music - stirring and broad-beamed without seeming pompous - carries the day. Particularly impressive is the way the accompaniment, with timpani predominating, establishes a harmonic foundation above which the choral melodies curl and soar eloquently.

Translation

Let there be - Partitur. Korpartitur. Mixed choir, percussion and timpani. Composed by Fredrik Sixten. For SATB choir divisi, percussion. triangle-suspended cymbals-snare drum-bass-drum-tamtam-4 timpani. Choral score. Language. English. 32 pages. Duration 8 minutes. Published by Gehrmans Musikforlag. GH.GE-11637. ISBN 979-0-070-11637-4. With Language. English. A4 inches. San Francisco Symphony Chorus with conducter Ragnar Bohlin performed the world premier of "Let there be" for choir and percussion on 11th april at Davies Symphony Hall. Joshua Kosman, Chronicle Music Critic, writes in his review at SFGate. Sixten's "Let There Be," an eight-minute plea for universal brotherhood scored for chorus and percussion, opened the concert in a ripe and inviting account. The piece is saddled with a thin, sanctimonious text by poet Maria Kuchen, but Sixten's music - stirring and broad-beamed without seeming pompous - carries the day. Particularly impressive is the way the accompaniment, with timpani predominating, establishes a harmonic foundation above which the choral melodies curl and soar eloquently.