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Original

4 Intermezzi. Jordi Cervello. Piano Solo sheet music.

Translation

4 Interludes. Jordi Cervello. Piano Solo sheet music.

Original

4 Intermezzi composed by Jordi Cervello. For piano. Published by Editorial de Musica Boileau. BO.B.3585. Agitato. This is a movement with a clear romantic intention, as well as passionate. It is like a projection of different colors in an atmosphere of lightness. In this case I probably had Mendelssohn in the back of my mind. Everything in it is extroverted. Vigor and gentleness alternate until reaching the end, where I make a clear allusion to the music of Bach. The movement ends in a fast arpeggio. Capriccio. This part has a humorous touch to it. An evidently burlesque subject matter matches the various rhythmic and harmonic combinations. I do not wish to conceal a similarity of style with the music of Prokofiev. As a reminder, my Sonatina for violin solo comes from an idea taken from this Russian master's Sonata, also for violin solo. The mood is marcato and sharp, alternating expressive moments with others of a mysterious nature. To end up with, a fast and lively coda. Ricordo. It has a burlesque introduction, but this serves as a preamble to the expressive nature of the whole. There are several emotional atmospheres in which harmony plays an essential part. The left hand will be responsible for the melody while the right hand constantly draws semiquavers all in a reflexive mood. In the end, the music fades away gently. Animato. This movement brings us back to the extroverted mood of the Agitato. It transitions from an impressionistic atmosphere at the beginning, to a vigorous and energetic climate. Groups of 4, 5 and 6 notes with semiquavers cause certain instability, controlled, on the other hand, by an unchanging tempo. The movement ends in a forceful marcato, though in an overall maestoso atmosphere.

Translation

4 interludes composed by Jordi Brain. For piano. Published by Editorial de Musica Boileau. BO.B.3585. Agitated. This is a movement with a clear romantic intention, as well as passionate. It is like a projection of different colors in an atmosphere of lightness. In this case I probably had Mendelssohn in the back of my mind. Everything in it is extroverted. Vigor and gentleness alternate until reaching the end, where I make a clear allusion to the music of Bach. The movement ends in a fast arpeggio. Caprice. This part has a humorous touch to it. An evidently burlesque subject matter matches the various rhythmic and harmonic combinations. I do not wish to conceal a similarity of style with the music of Prokofiev. As a reminder, my Sonatina for violin solo comes from an idea taken from this Russian master's Sonata, also for violin solo. The mood is marcato and sharp, alternating expressive moments with others of a mysterious nature. To end up with, a fast and lively coda. Memory. It has a burlesque introduction, but this serves as a preamble to the expressive nature of the whole. There are several emotional atmospheres in which harmony plays an essential part. The left hand will be responsible for the melody while the right hand constantly draws semiquavers all in a reflexive mood. In the end, the music fades away gently. Animated. This movement brings us back to the extroverted mood of the Agitato. It transitions from an impressionistic atmosphere at the beginning, to a vigorous and energetic climate. Groups of 4, 5 and 6 notes with semiquavers cause certain instability, controlled, on the other hand, by an unchanging tempo. The movement ends in a forceful marcato, though in an overall maestoso atmosphere.