Sheet music $30.50

Original

Trio Op.95c "In Memoriam Olivier Messiaeno. Bertold Hummel. Flute sheet music. Oboe sheet music. Piano sheet music.

Translation

Trio Op.95c "In Memoriam Olivier Messiaeno. Bertold Hummel. Flute sheet music. Oboe sheet music. Piano sheet music.

Original

Trio Op.95c "In Memoriam Olivier Messiaeno composed by Bertold Hummel. 1925-2002. For Flute, Oboe, piano. Modern. Sheet Music. Published by Zimmermann. PE.ZM31290. This trio for flute, oboe and piano is a personal homage to Olivier Messiaen whose death became known shortly before this work was composed. Melismas reminiscences of a bird song dominate--in various variations--the 1st movement the structure of which is determined by a cadence contributed by each soloist. The 2nd movement is characterized by sustained tones and concise motifs. Being 'economical' with the material, this movement forms a strong contrast to the outer movements. The basic note material of the 3rd movement comprises the letters from OLIVIER MESSIAEN's name that can be used musically. E-E-Eb-Eb-A-E. In the middle section, a sequence of chords repeated over and again forms the basis for a melodic line from Messiaen's opera 'Saint Francois d'Assise'--thus creating a kind of little passacaglia.

Translation

Trio Op.95c "In Memoriam Olivier Messiaeno composed by Bertold Hummel. 1925-2002. For Flute, Oboe, piano. Modern. Sheet Music. Published by Zimmermann. PE.ZM31290. This trio for flute, oboe and piano is a personal homage to Olivier Messiaen whose death became known shortly before this work was composed. Melismas reminiscences of a bird song dominate--in various variations--the 1st movement the structure of which is determined by a cadence contributed by each soloist. The 2nd movement is characterized by sustained tones and concise motifs. Being 'economical' with the material, this movement forms a strong contrast to the outer movements. The basic note material of the 3rd movement comprises the letters from OLIVIER MESSIAEN's name that can be used musically. E-E-Eb-Eb-A-E. In the middle section, a sequence of chords repeated over and again forms the basis for a melodic line from Messiaen's opera 'Saint Francois d'Assise'--thus creating a kind of little passacaglia.