Sheet music $2.50

Original

Sonatina in C. Claudette Hudelson. Piano sheet music. Beginning.

Translation

Sonatina in C. Claudette Hudelson. Piano sheet music. Beginning.

Original

Sonatina in C. Later Elementary Level. Composed by Claudette Hudelson. For Piano. Keyboard. Willis. Late Elementary. 8 pages. Willis Music #12361. Published by Willis Music. HL.406510. Description. This contains three movements similar to those that might be found in a classical sonatina. The first movement is in ABA' form with a medium tempo. The second movement has a lyrical, cantabile melody. The third movement is a fast “gigue-like” movement. Purpose. The student may learn the variations in sound and mood produced by movements indicative of a classical sonatina. Suggestions for Instruction. Have the student try the right hand first, observing correct fingering. Practice tapering 3-note slurs that end with staccato. Practice playing crescendo and decrescendo, then add the left hand. Allow the student to play the right-hand melody with appropriate shading and “breathing. ” Introduce legato pedaling. Teach “following the line. Point out how the left hand mimics the chords in the right hand, hand-over-hand. Have the student practice the 3-note slurs in the right hand for a 'loud-soft-soft' type of sound. Work to make a distinction between f and mf. Have the student pedal with the harmonic changes. Key. C Major.

Translation

Sonatina in C. Later Elementary Level. Composed by Claudette Hudelson. For Piano. Keyboard. Willis. Late Elementary. 8 pages. Уиллис Музыка. Published by Willis Music. HL.406510. Description. This contains three movements similar to those that might be found in a classical sonatina. The first movement is in ABA' form with a medium tempo. The second movement has a lyrical, cantabile melody. The third movement is a fast “gigue-like” movement. Purpose. The student may learn the variations in sound and mood produced by movements indicative of a classical sonatina. Suggestions for Instruction. Have the student try the right hand first, observing correct fingering. Practice tapering 3-note slurs that end with staccato. Practice playing crescendo and decrescendo, then add the left hand. Allow the student to play the right-hand melody with appropriate shading and “breathing. ” Introduce legato pedaling. Teach “following the line. Point out how the left hand mimics the chords in the right hand, hand-over-hand. Have the student practice the 3-note slurs in the right hand for a 'loud-soft-soft' type of sound. Work to make a distinction between f and mf. Have the student pedal with the harmonic changes. Key. C Major.