Sheet music $16.95

Original

Esurientes Implevit Bonis BWV 243. Johann Sebastian Bach. Alto Recorder sheet music. Alto Voice sheet music. Piano and Keyboard sheet music.

Translation

Esurientes Implevit Bonis BWV 243. Johann Sebastian Bach. Alto Recorder sheet music. Alto Voice sheet music. Piano and Keyboard sheet music.

Original

Esurientes Implevit Bonis BWV 243. Aria from the "Magnificat". First Version. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Duerr. For alto voice, 2 treble recorders and basso continuo. cello ad lib. This edition. ED 11763. Saddle-stitch. Vocal Music. Score and parts. Text language. Latin. Published by Schott Music. SD.49014747. ISBN 9790220124938. With Text language. Latin. When Bach performed his Magnificat for the first time on Christmas Day 1723, the accompanying parts of the alto aria "Esurientes" were played on two treble. alto. recorders in F. Later, when Bach re-wrote the Magnificat, he transposed the whole work down a semitone. from E flat to D. The recorder parts of the alto aria, transposed from F to E, where now too low for these instruments and had to be given to the flutes, obviously more for practical than aesthetical reasons. The reprint of the first version will be welcomed by recorder players. Alfred Durr.

Translation

Esurientes Implevit Bonis BWV 243. Aria from the "Magnificat". First Version. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Duerr. For alto voice, 2 treble recorders and basso continuo. cello ad lib. This edition. ED 11763. Saddle-stitch. Vocal Music. Score and parts. Text language. Latin. Published by Schott Music. SD.49014747. ISBN 9790220124938. With Text language. Latin. When Bach performed his Magnificat for the first time on Christmas Day 1723, the accompanying parts of the alto aria "Esurientes" were played on two treble. high. recorders in F. Later, when Bach re-wrote the Magnificat, he transposed the whole work down a semitone. from E flat to D. The recorder parts of the alto aria, transposed from F to E, where now too low for these instruments and had to be given to the flutes, obviously more for practical than aesthetical reasons. The reprint of the first version will be welcomed by recorder players. Alfred Durr.