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Sheet music $3.95

Original

Intende voci. Franz Schubert. Choir sheet music. Double Bass sheet music. Horn sheet music. Tenor Voice sheet music. Trombone sheet music. Voice Solo sheet music.

Translation

Will entries. Franz Schubert. Choir sheet music. Double Bass sheet music. Horn sheet music. Tenor Voice sheet music. Trombone sheet music. Voice Solo sheet music.

Original

Intende voci. Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. 1797-1828. Edited by Werner Bodendorff. For tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass. B-Dur. B-flat major. Stuttgart Urtext Edition. Score available separately - see item CA.7004600. Choral score. Language. Latin. Composed 1828. D 963. 8 pages. Duration 10 minutes. Published by Carus Verlag. CA.7004605. ISBN M-007-10766-6. With Language. Latin. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the "Mass in E flat".

Translation

Will entries. Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. 1797-1828. Edited by Werner Bodendorff. For tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass. B-Dur. B-flat major. Stuttgart Urtext Edition. Score available separately - see item CA.7004600. Choral score. Language. Latin. Composed 1828. D 963. 8 pages. Duration 10 minutes. Published by Carus Verlag. CA.7004605. ISBN M-007-10766-6. With Language. Latin. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the "Mass in E flat".