Sheet music $6.95

Original

Membra Jesu nostri. Dietrich Buxtehude. Choir sheet music. Piano and Keyboard sheet music. Viola da Gamba sheet music.

Translation

Membra Jesu nostri. Dietrich Buxtehude. Choir sheet music. Piano and Keyboard sheet music. Viola da Gamba sheet music.

Original

Membra Jesu nostri composed by Dietrich Buxtehude. 1637-1707. Edited by Thomas Schlage. For SSATB choir, 2 violins, violin, 5 viola da gamba. 2 violin, violin, 2 viola da gamba. , basso continuo. Score available separately - see item CA.3601300. Oratorios, Lent and Passiontide. Violone part. Language. Latin. BuxWV 75. 12 pages. Duration 63 minutes. Published by Carus Verlag. CA.3601313. With Language. Latin. Oratorios, Lent and Passiontide. For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio, the cantata cycle Membra Jesu nostri, and he dedicated it to his friend, the Swedish Court Music Director, Gustav Duben. In each of the seven separate cantatas which, in principle, follow the scheme "instrumental introduction-choral movement with biblical texts-vocal soli. aria. with a sacred text from the Middle Ages-repetition of the choral movement," the feet, knees, hands, side, chest, heart and face of the crucified Christ are interpreted allegorically.

Translation

Membra Jesu nostri composed by Dietrich Buxtehude. 1637-1707. Edited by Thomas Schlage. For SSATB choir, 2 violins, violin, 5 viola da gamba. 2 violin, violin, viola da gamba 2. , Basso continuo. Score available separately - see item CA.3601300. Oratorios, Lent and Passiontide. Violone part. Language. Latin. BuxWV 75. 12 pages. Duration 63 minutes. Published by Carus Verlag. CA.3601313. With Language. Latin. Oratorios, Lent and Passiontide. For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio, the cantata cycle Membra Jesu nostri, and he dedicated it to his friend, the Swedish Court Music Director, Gustav Duben. In each of the seven separate cantatas which, in principle, follow the scheme "instrumental introduction-choral movement with biblical texts-vocal soli. air. with a sacred text from the Middle Ages-repetition of the choral movement," the feet, knees, hands, side, chest, heart and face of the crucified Christ are interpreted allegorically.