Sheet music $3.95

Original

Erhalt uns, Herr, bei deinem Wort. Dietrich Buxtehude. Choir sheet music. Piano and Keyboard sheet music.

Translation

Receiving us, Lord, at thy word. Dietrich Buxtehude. Choir sheet music. Piano and Keyboard sheet music.

Original

Erhalt uns, Herr, bei deinem Wort composed by Dietrich Buxtehude. 1637-1707. Edited by Thomas Schlage. For SATB choir, 2 violins, violone. violoncello. , basso continuo. Score available separately - see item CA.3601500. Cantatas. Violin 2 part. Language. German. BuxWV 27. 4 pages. Duration 6 minutes. Published by Carus Verlag. CA.3601512. With Language. German. Cantatas. This cantata combines two texts. "Erhalt uns Herr bei deinem Wort" and "Verleih uns Frieden gnadiglich. " The Lubeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody "Erhalt uns Herr. " This was the basis for Buxtehude's composition. The copy of the tabulature of this cantata in the Duben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic "Amen" completes the work.

Translation

Receiving us, Lord, at thy word composed by Dietrich Buxtehude. 1637-1707. Edited by Thomas Schlage. For SATB choir, 2 violins, violone. cello. , Basso continuo. Score available separately - see item CA.3601500. Cantatas. Violin 2 part. Language. German. BuxWV 27. 4 pages. Duration 6 minutes. Published by Carus Verlag. CA.3601512. With Language. German. Cantatas. This cantata combines two texts. "Keep Us Lord at thy word" gnadiglich and "Grant us peace. " The Lubeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody "Erhalt uns Herr. " This was the basis for Buxtehude's composition. The copy of the tabulature of this cantata in the Duben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic "Amen" completes the work.