Instruments
Ensembles
Opera
Composers
Performers

Sheet music $2.95

Original

Look there, that is God's own lamb. Georg Philipp Telemann. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Translation

Look there, that is God's own lamb. Georg Philipp Telemann. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Original

Look there, that is God's own lamb. Kantate zum Sonntag Palmarum. Composed by Georg Philipp Telemann. 1681-1767. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For SA. TBar. vocal soli, SS. or SA. choir, 2 violins, basso continuo. Stuttgart Urtext Edition. German title. Siehe, das ist Gottes Lamm I. Cantatas, Holy Week. Choral score. Language. German. TVWV 1. 1318. 4 pages. Published by Carus Verlag. CA.3949105. ISBN M-007-05626-1. With Language. German. Cantatas, Holy Week. This cantata belongs to the annual cycle "Musicalisches Lob Gottes in der Gemeine des Herrn" printed in 1744, from which the "Biblische Spruche". see p. 12. are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the optional use of wind instruments doubling the strings. The allusions of the text to the coming sufferings of Jesus make this cantata suitable for use during Lent and Holy Week. Score available separately - see item CA.3949100.

Translation

Look there, that is God's own lamb. Cantata for Palm Sunday. Composed by Georg Philipp Telemann. 1681-1767. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For SA. TBar. vocal only, SS. or SA. choir, 2 violins, continuo. Stuttgart Urtext Edition. German title. Behold, the Lamb of God I. Cantatas, Holy Week. Choral score. Language. German. TVWV 1. 1318. 4 pages. Published by Carus Verlag. CA.3949105. ISBN M-007-05626-1. With Language. German. Cantatas, Holy Week. This cantata belongs to the annual cycle "Musicalisches Lob Gottes in der Gemeine des Herrn" printed in 1744, from which the "Biblische Spruche". see p. 12. are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the optional use of wind instruments doubling the strings. The allusions of the text to the coming sufferings of Jesus make this cantata suitable for use during Lent and Holy Week. Score available separately - see item CA.3949100.