Sheet music $50.00

Original

Concertino for 4 Percussion & Orchestra. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Harp sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Tuba sheet music.

Translation

Concertino for 4 Percussion . B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Harp sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Tuba sheet music.

Original

Concertino for 4 Percussion & Orchestra composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist. with Full Orchestra. Piccolo, Flute 1. 2, Oboe 1. 2, Clarinet 1. 2 in Bb, Bassoon 1. 2, Trumpet 1. 2 in C, Trumpet 3 in C, Horn 1. 3, Horn 2. 4, Trombone 1. 2, Trombone 3, Bass Trombone, Tuba, Harp, Solo Percussion 1. timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-ta. Grade 5. Score only. Duration 9. 30. Published by C. Alan Publications. CN.02875. This Concertino or 'small concerto' seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments. The original conception of this work, "Concertino for Four Percussion and Wind Ensemble," was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies. The Concertino or 'small concerto' seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments. Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass. Concertino for Four Percussion is also available for performance with Wind Ensemble. Item #02870. and Piano. Item #02872.

Translation

Concertino for 4 Percussion. Arranged by Nathan Daughtrey. For Soloist. with Full Orchestra. Piccolo, Flute 1. 2, Oboe 1. 2, Clarinet 1. 2 in Bb, Bassoon 1. 2, Trumpet 1. 2 in C, Trumpet 3 in C, Horn 1. 3, Horn 2. 4, Trombone 1. 2, 3 Trombone, Bass Trombone, Tuba, Harp, Percussion Only 1. timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-ta. Grade 5. Score only. Duration 9. 30. Published by C. Alan Publications. CN.02875. This Concertino or 'small concerto' seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments. The original conception of this work, "Concertino for Four Percussion and Wind Ensemble," was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies. The Concertino or 'small concerto' seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments. Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass. Concertino for Four Percussion is also available for performance with Wind Ensemble. Пункт. and Piano. Пункт.