Sheet music $1.25

Original

One Fold, One Shepherd. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music. Beginning.

Translation

One Fold, One Shepherd. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music. Beginning.

Original

One Fold, One Shepherd composed by Russell Woollen. For 2-part Choir. Equal or Mixed voices. Organ. Week of Prayer for Christian Unity, Easter 4 B, All Souls, funerals. WLP Choral Series. Jesus Christ the Good Shepherd, faith, trust, unity, Christian unity. Easy. Moderate. Octavo. 6 pages. Published by World Library Publications. WL.000660. This lovely two-part choral gem has a place several times in the liturgical year, in addition to the Easter season. It holds up well in times of focus on unity and faith. Text from John 10 is shaped to a gentle melody befitting the sense of trust in Jesus, as he likens himself to a shepherd who lays down his life for his sheep. Arranged for two-part women, two-part men, or two-part mixed voices, this anthem has endured as a WLP family favorite since its publication in 1962. Further shaping by the director with dynamics and the use of rubato makes this a memorable experience for singers and assemblies alike.

Translation

One Fold, One Shepherd composed by Russell Woollen. For 2-part Choir. Equal or Mixed voices. Organ. Week of Prayer for Christian Unity, Easter 4 B, All Souls, funerals. WLP Choral Series. Jesus Christ the Good Shepherd, faith, trust, unity, Christian unity. Easy. Moderate. Eighth. 6 pages. Published by World Library Publications. WL.000660. This lovely two-part choral gem has a place several times in the liturgical year, in addition to the Easter season. It holds up well in times of focus on unity and faith. Text from John 10 is shaped to a gentle melody befitting the sense of trust in Jesus, as he likens himself to a shepherd who lays down his life for his sheep. Arranged for two-part women, two-part men, or two-part mixed voices, this anthem has endured as a WLP family favorite since its publication in 1962. Further shaping by the director with dynamics and the use of rubato makes this a memorable experience for singers and assemblies alike.