Sheet music $48.95

Original

Die Pilgrime auf Golgatha. Johann Christoph Friedrich Bach. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Translation

The pilgrims at Calvary. Johann Christoph Friedrich Bach. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Original

Die Pilgrime auf Golgatha. Passions-Oratorium. Composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.3410400. Oratorios, Passions, Lent and Passiontide. Level 3. Organ part. Language. German. Composed 1791. BR JCFB D 1. 60 pages. Duration 135 minutes. Published by Carus Verlag. CA.3410449. ISBN M-007-05199-0. With Language. German. Oratorios, Passions, Lent and Passiontide. An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.

Translation

The pilgrims at Calvary. Passion Oratorio. Composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.3410400. Oratorios, Passions, Lent and Passiontide. Level 3. Organ part. Language. German. Composed 1791. BR JCFB D 1. 60 pages. Duration 135 minutes. Published by Carus Verlag. CA.3410449. ISBN M-007-05199-0. With Language. German. Oratorios, Passions, Lent and Passiontide. An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.