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Sheet music $4.95

Original

Lord my God, my heart and soul were sore distressed. Johann Sebastian Bach. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

Translation

Lord my God, my heart and soul were sore distressed. Johann Sebastian Bach. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

Original

Lord my God, my heart and soul were sore distressed. Cantata for the 3rd Sanday after Trinity. all occasions. Composed by Johann Sebastian Bach. 1685-1750. Edited by Klaus Hofmann. For STB vocal soli. SB. TB. SATB. , SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title. Ich hatte viel Bekummernis. Cantatas. Level 3. Cello. double bass part. Language. German. English. Composed 1713. BWV 21. 12 pages. Duration 45 minutes. Published by Carus Verlag. CA.3102114. With Language. German. English. Cantatas. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.

Translation

Lord my God, my heart and soul were sore distressed. Cantata for the 3rd Sanday after Trinity. all occasions. Composed by Johann Sebastian Bach. 1685-1750. Edited by Klaus Hofmann. For STB vocal soli. SB. TB. SATB. , SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title. I had a lot Bekummernis. Cantatas. Level 3. Cello. double bass part. Language. German. English. Composed 1713. BWV 21. 12 pages. Duration 45 minutes. Published by Carus Verlag. CA.3102114. With Language. German. English. Cantatas. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.