Sheet music $10.00

Original

Largo al factotum. Geoffrey Brand. Cornet sheet music. Euphonium sheet music. Grade 4.

Translation

Largo al factotum. Geoffrey Brand. Cornet sheet music. Euphonium sheet music. Grade 4.

Original

Largo al factotum. Euphonium Feature. Composed by Geoffrey Brand. Arranged by Geoffrey Brand. For Soloist. with Concert Band. Solo Euphonium, 1st Flute. Piccolo, 2nd Flute, Oboe 1. 2, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1. 2, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Cornet 1, Bb Cornet 2. 3, F Hor. Band Music. Grade 4. Score only. Duration 5. 00. Published by C. Alan Publications. CN.S11256. Figaro, Figaro, Figaro. The fast-flowing verbal gymnastics have been transformed into a nimble usage of tongue and fingers by a euphonium soloist supported by an alert accompaniment, Largo al factotum is an energetic romp. Rossini's gift for melody and a sense of humor is obvious in this transcription by Geoffrey Brand. Rossini wrote his opera, The Barber of Seville, in less than three weeks, a remarkable achievement even for a 24 year old. No matter that the first performance, given in Rome in 1816 was hissed, The Barber of Seville offered abundant evidence that here was a composer possessed of a gift for melody and, no less, a sense of humor. Figaro is the town barber, an ideal setting in which to indulge his traits as a wily trickster. In the opera, Largo al Factotum provides Figaro with the opportunity to declaim his penchant for intrigue. Two suitors are pursuing one lady, Rosina, a situation much to Figaro's liking, allowing him to indulge in plot and counter-plot. Vocally, Largo al Factotum calls for fast flowing verbal gymnastics which, in this instrumental version, transfers to the nimble usage of tongue and fingers by a euphonium soloist supported by an alert accompaniment.

Translation

Largo al factotum. Euphonium Feature. Composed by Geoffrey Brand. Arranged by Geoffrey Brand. For Soloist. with Concert Band. Solo Euphonium, 1st Flute. Small, 2nd Flute, Oboe 1. 2, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1. 2, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Cornet 1, Bb Cornet 2. 3, F Hor. Band Music. Grade 4. Score only. Duration 5. 00. Published by C. Alan Publications. CN.S11256. Figaro, Figaro, Figaro. The fast-flowing verbal gymnastics have been transformed into a nimble usage of tongue and fingers by a euphonium soloist supported by an alert accompaniment, Largo al factotum is an energetic romp. Rossini's gift for melody and a sense of humor is obvious in this transcription by Geoffrey Brand. Rossini wrote his opera, The Barber of Seville, in less than three weeks, a remarkable achievement even for a 24 year old. No matter that the first performance, given in Rome in 1816 was hissed, The Barber of Seville offered abundant evidence that here was a composer possessed of a gift for melody and, no less, a sense of humor. Figaro is the town barber, an ideal setting in which to indulge his traits as a wily trickster. In the opera, Largo al Factotum provides Figaro with the opportunity to declaim his penchant for intrigue. Two suitors are pursuing one lady, Rosina, a situation much to Figaro's liking, allowing him to indulge in plot and counter-plot. Vocally, Largo al Factotum calls for fast flowing verbal gymnastics which, in this instrumental version, transfers to the nimble usage of tongue and fingers by a euphonium soloist supported by an alert accompaniment.