Sheet music $31.95

Original

Concertino. Karl Amadeus Hartmann. B-Flat Clarinet sheet music. Bass Clarinet sheet music. C Trumpet sheet music. Horn sheet music. Piano sheet music. Tuba sheet music.

Translation

Concertino. Karl Amadeus Hartmann. B-Flat Clarinet sheet music. Bass Clarinet sheet music. C Trumpet sheet music. Horn sheet music. Piano sheet music. Tuba sheet music.

Original

Concertino composed by Karl Amadeus Hartmann. 1905-1963. For Trumpet with 7 Solo-Instruments. Clarinet in B flat, Bass Clarinet in B flat, Bassoon, Contrabassoon, French Horn in F, Trumpet in C, Tuba. This edition. TR 21. Saddle-stitch. Orchestra Music. La Tromba. Trumpet Library. Grade 5. Piano reduction with solo part. Composed 1933. 48 pages. Duration 19 minutes. Published by Schott Music. SD.49013142. ISBN 9790001133395. This piece, previously considered lost since its first performance, was described thus in reviews of that concert. The composition is modern and the humour appears to be that of the composer himself. Michel Nicolay, who has extraordinary technical skill and fabulous breathing control, leads this difficult work by the Munich composer Hartmann and is supported by the accompaniment of seven wind instruments. The bassoon provides rather a humorous bass line in the first section, with the whole work tending somewhat towards the burlesque. The second section contains some really astonishing passages. I Toccata. II Lied. III Quodlibet.

Translation

Concertino composed by Karl Amadeus Hartmann. 1905-1963. For Trumpet with 7 Solo-Instruments. Clarinet in B flat, Bass Clarinet in B flat, Bassoon, Contrabassoon, French Horn in F, Trumpet in C, Tuba. This edition. TR 21. Saddle-stitch. Orchestra Music. La Tromba. Trumpet Library. Grade 5. Piano reduction with solo part. Composed 1933. 48 pages. Duration 19 minutes. Published by Schott Music. SD.49013142. ISBN 9790001133395. This piece, previously considered lost since its first performance, was described thus in reviews of that concert. The composition is modern and the humour appears to be that of the composer himself. Michel Nicolay, who has extraordinary technical skill and fabulous breathing control, leads this difficult work by the Munich composer Hartmann and is supported by the accompaniment of seven wind instruments. The bassoon provides rather a humorous bass line in the first section, with the whole work tending somewhat towards the burlesque. The second section contains some really astonishing passages. I Toccata. II Lied. III Quodlibet.