Sheet music $16.95

Original

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Robert Schumann. Cello Solo sheet music. Clarinet sheet music. Violin sheet music. Piano Accompaniment sheet music.

Translation

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Robert Schumann. Cello Solo sheet music. Clarinet sheet music. Violin sheet music. Piano Accompaniment sheet music.

Original

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Cello and Piano. Composed by Robert Schumann. Edited by Ernst Herttrich. For Cello, Piano. Violoncello. Henle Music Folios. Urtext edition-paper bound. Classical Period. Collection. Introductory text and fingerings. 28 pages. G. Henle #HN422. Published by G. Henle. HL.51480422. With introductory text and fingerings. Classical Period. 9x12 inches. The circumstances in which these poetic “Soirée Pieces”. thus their original title. came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

Translation

Fantasy pieces for Piano and Clarinet. or Violin or Violoncello. op. 73. version for Violoncello. Cello and Piano. Composed by Robert Schumann. Edited by Ernst Herttrich. For Cello, Piano. Cello. Henle Music Folios. Urtext edition-paper bound. Classical Period. Collection. Introductory text and fingerings. 28 pages. Г. Хенле. Published by G. Henle. HL.51480422. With introductory text and fingerings. Classical Period. 9x12 inches. The circumstances in which these poetic “Soirée Pieces”. thus their original title. came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.