Sheet music

Original

O domina gloriosa. Composer. Johannes Verben. Johannes Verben. Unknown. Published. Description. Transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values, accidentals and colourings are as in the manuscript. The coloured minimæ are in “proportio sesquialtera”. 3 vs. , all the other groups of coloured notes are “hemiolæ”. The perfect notes and rests have been dotted and ties have been used for the notes’ values that cannot be exactly represented. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files. External websites. http. www1. trentinocultura. net. portal. server. pt. open514&objID22652&mode2. http. imslp. org. wiki. Category. Verben,_Johannes. Original text and translations. Latin text. O domina gloriosa regina leticie. Sacred , Motet. Language. Latin. SAA. Genre. Sacred , Motet. Language. Latin.

Translation

O domina gloriosa. Composer. John verbs. John verbs. Unknown. Published. Description. Transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values, accidentals and colourings are as in the manuscript. The coloured minimæ are in “proportio sesquialtera”. 3 vs. , all the other groups of coloured notes are “hemiolæ”. The perfect notes and rests have been dotted and ties have been used for the notes’ values that cannot be exactly represented. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files. External websites. http. www1. trentinocultura. net. portal. server. pt. open514. http. imslp. org. wiki. Category. Verben,_Johannes. Original text and translations. Latin text. O domina gloriosa regina leticie. Sacred , Motet. Language. Latin. SAA. Genre. Sacred , Motet. Language. Latin.

Original

Transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values, accidentals and colourings are as in the manuscript. The coloured minimæ are in “proportio sesquialtera”. 3 vs. , all the other groups of coloured notes are “hemiolæ”. The perfect notes and rests have been dotted and ties have been used for the notes’ values that cannot be exactly represented. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

Translation

Transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values, accidentals and colourings are as in the manuscript. The coloured minimæ are in “proportio sesquialtera”. 3 vs. , all the other groups of coloured notes are “hemiolæ”. The perfect notes and rests have been dotted and ties have been used for the notes’ values that cannot be exactly represented. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.